The ssm_plot_circle(), ssm_plot_curve(),
ssm_plot_contrast(), and ssm_plot_trajectory()
functions cover the most common circumplex figures, but they each
produce a finished plot with a fixed set of layers. Sometimes you want
more control: to overlay individual respondents on a group profile, to
zoom in on a band of amplitudes, to restyle the points, or to place
several circumplex panels side by side.
To make that possible, circumplex exposes the building
blocks that the built-in plots are themselves made of. These are
ordinary ggplot2
components, so you compose them with + and combine them
freely with any other ggplot2 layers, scales, and
themes:
coord_circumplex() is the coordinate
system. It maps the displacement aesthetic
(degrees) onto the angle and the amplitude aesthetic onto
the radius, and it owns the amplitude-to-radius scaling for the whole
plot.ggcircumplex() assembles the empty circular
canvas — the coordinate system plus the amplitude
rings, displacement spokes, and scale labels.geom_ssm_point() and geom_ssm_arc() are
the layers that place profile points and their
confidence regions in the circle, taking amplitude and displacement
directly as aesthetics.theme_circumplex() is the theme the
canvas is drawn with, and the rings and spokes are ordinary themed panel
furniture that respond to further theming.scale_x_circumplex() is a scale for
the angle axis of linear circumplex plots (such as the score-by-angle
curve).This vignette works through each of these and then combines them.
ggcircumplex() returns a ggplot2 object
containing just the circular backdrop, with no data drawn on it yet. By
default it uses octant scales labeled by their angular position in
degrees:
You can label the scales however you like. Passing a character vector labels the spokes in the order of the angles:
The labels need not be abbreviations. The octant scales also have full interpersonal names, which you can put on the spokes instead:
If you are working with one of the instruments bundled with the
package, you can pass it directly with
ggcircumplex(instrument = csip), and its scale angles and
abbreviations are taken from the instrument rather than typed by
hand.
Throughout, displacement runs counterclockwise from the right, and the 0/360 degree position is labeled 360.
ggcircumplex() is a convenience wrapper. Underneath it,
the piece that makes a circumplex plot circular is
coord_circumplex(), and you can add that to a bare
ggplot() yourself when you want to build a figure from
scratch. On top of the coordinate system you supply three things: an
x-scale carrying the spoke breaks and labels, a data layer, and the
theme.
results <- ssm_analyze(
jz2017,
scales = PANO(),
measures = c("NARPD", "ASPD")
)
subset(results$results, select = c(Label, a_est, d_est, a_lci, a_uci))
#> Label a_est d_est a_lci a_uci
#> 1 NARPD 0.189244 108.9667 0.1537900 0.2271848
#> 2 ASPD 0.226159 115.9267 0.1905403 0.2640428
ggplot(results$results) +
coord_circumplex(amax = 0.3) +
scale_x_continuous(breaks = octants(), labels = PANO()) +
geom_ssm_point(aes(amplitude = a_est, displacement = d_est, fill = Label)) +
theme_circumplex()The scale_x_continuous() line is the one that tells the
coordinate system where the scale angles are; without it the spokes
would fall on ggplot2’s default breaks rather than on the
octants. Supplying those breaks and labels, along with the theme, is
what ggcircumplex() does on top of the coordinate system.
Build from the parts when you want to vary one of those pieces; reach
for ggcircumplex() when you do not.
Because the coordinate system owns the amplitude-to-radius mapping,
amax is set exactly once per plot and the canvas and the
data layers cannot disagree about what a given radius means. (Earlier
versions of the package took an amax argument on each
layer; those arguments are now deprecated and ignored, with a one-time
note.) Leaving amax = NULL trains it from the data, as
ssm_plot_circle() does.
By default the center of the circle is amplitude 0, so radial
distance is proportional to amplitude and the origin means “no
differentiation among the scales.” The center argument
moves that inner limit, which is useful when every profile sits in a
narrow band of amplitudes and the interesting variation is squeezed
against the rim:
ggplot(results$results) +
coord_circumplex(amax = 0.28, center = 0.15) +
scale_x_continuous(breaks = octants(), labels = PANO()) +
geom_ssm_point(aes(amplitude = a_est, displacement = d_est, fill = Label)) +
theme_circumplex()This is a zoom, and it changes how the figure should be read. With a nonzero center, radial distance is no longer proportional to amplitude and the origin no longer represents zero amplitude, so differences in radius are exaggerated relative to the default view. The amplitude ring labels still report the true amplitudes, and they are what the reader should be directed to. Use a nonzero center to resolve closely spaced profiles, and say so in the caption.
The amplitude (radial) axis and its tick labels are placed
automatically in the widest gap between the displacement spokes, so they
never collide with a spoke label. You can override that with
r_axis_angle, given as a displacement in degrees:
ggplot(results$results) +
coord_circumplex(amax = 0.3, r_axis_angle = 67.5) +
scale_x_continuous(breaks = octants(), labels = PANO()) +
geom_ssm_point(aes(amplitude = a_est, displacement = d_est, fill = Label)) +
theme_circumplex()Note that these examples build the canvas from its parts — the
coordinate system, an x-scale carrying the spoke breaks and labels, and
the theme — rather than adding a second coordinate system on top of
ggcircumplex(), which ggplot2 would replace
with a message.
Let’s draw the two-measure profile from above on a labeled canvas
ourselves, rather than calling ssm_plot_circle().
geom_ssm_point() places a point for each profile at its
amplitude (a_est) and displacement (d_est),
and geom_ssm_arc() draws the wedge spanning each profile’s
amplitude confidence interval radially and its displacement confidence
interval angularly. Both take the SSM parameters directly as aesthetics
and handle the conversion into circular coordinates internally,
including wrap-around when a displacement interval crosses the 0/360
degree boundary.
ggcircumplex(octants(), labels = PANO(), amax = 0.3) +
geom_ssm_arc(
data = results$results,
mapping = aes(
amplitude_min = a_lci, amplitude_max = a_uci,
displacement_min = d_lci, displacement_max = d_uci,
fill = Label
),
alpha = 0.4, color = NA
) +
geom_ssm_point(
data = results$results,
mapping = aes(amplitude = a_est, displacement = d_est, fill = Label)
)Each arc displays two separate confidence intervals for one profile
at once: its radial extent is the amplitude interval and its angular
extent is the displacement interval. It is a convenient way to show both
intervals together, not a single joint confidence region with its own
coverage level, and not a hypothesis test. The angular extent in
particular is a range of plausible directions: because zero
degrees is an arbitrary reference direction rather than a null value, it
should not be read as a significance test the way a confidence interval
for a linear parameter (such as elevation) can be. Displacement is only
worth interpreting at all when the amplitude interval is clearly above
zero and the model fits reasonably well (see the “Introduction to SSM
Analysis” vignette and ?ssm_analyze).
theme_circumplex() is the theme
ggcircumplex() applies. Because the rings, spokes, and
labels are themed panel furniture rather than drawn geometry, any
further theming reaches them. Adjust the base font size through the
theme, and restyle the gridlines with an ordinary theme()
call:
ggcircumplex(octants(), labels = PANO(), amax = 0.3) +
geom_ssm_point(
data = results$results,
mapping = aes(amplitude = a_est, displacement = d_est, fill = Label)
) +
theme_circumplex(base_size = 14) +
theme(
panel.grid.major = element_line(color = "steelblue", linetype = "dotted"),
legend.position = "bottom"
)Because the canvas and geoms are ordinary ggplot2
objects, you can add anything else to them. A common request is to show
where individual respondents fall relative to a summary. We can compute
each person’s own amplitude and displacement with
ssm_score() and draw them as a faint cloud behind a
group-level point.
# Per-person SSM parameters for a subset of the sample. A respondent whose
# scores are flat has no displacement and is returned as NA (with a warning),
# so we keep only the well-defined profiles.
people <- ssm_score(
jz2017[1:100, ],
scales = PANO(),
append = FALSE
)
people <- subset(people, !is.na(Disp))
# Group-level profile for the same subset
group <- ssm_analyze(jz2017[1:100, ], scales = PANO())
# The group amplitude is shorter than a typical individual amplitude
c(group = group$results$a_est, median_individual = median(people$Ampl))
#> group median_individual
#> 0.3651863 0.5189425
ggcircumplex(octants(), labels = PANO(), amax = 1.75) +
geom_ssm_point(
data = people,
mapping = aes(amplitude = Ampl, displacement = Disp),
fill = "grey70", size = 1.5, alpha = 0.6
) +
geom_ssm_point(
data = group$results,
mapping = aes(amplitude = a_est, displacement = d_est),
fill = "#0072B2", size = 4
)The individual points spread widely around the circle while the group
summary sits close to the origin, a picture that none of the built-in
functions produce directly. That contrast is not an artifact: the group
profile is the SSM of the mean scale scores, so its position is
the average of the individual positions in (x, y) — and averaging
vectors that point in different directions yields a resultant shorter
than the typical individual vector, as the two amplitudes printed above
show. A group amplitude smaller than a typical person’s therefore
indicates disagreement about direction among the respondents,
not that each person’s profile is flat. Any other ggplot2
layer — text annotations, additional geoms, faceting — can be added the
same way.
When the same people are measured on the same scales at two or more
occasions, ssm_analyze_long() (for long data) or
ssm_analyze(occasions = ) (for wide data) estimates one SSM
profile per occasion, resampling persons so that within-person
dependence across occasions is respected.
ssm_plot_trajectory() then draws each SSM parameter against
time.
Here is a small simulated three-wave data set, long,
whose group profile rotates counterclockwise across the 0/360 degree
boundary — the case worth seeing drawn. (The code that simulates it is
omitted; it is not the point here. The data frame has one row per person
per wave, the eight PANO() scale columns, an
id, and a wave label.) We estimate one profile
per wave with ssm_analyze_long():
results_long <- ssm_analyze_long(
long,
scales = PANO(),
id = "id",
occasion = "wave"
)
subset(results_long$results, select = c(Occasion, a_est, d_est, d_lci, d_uci))
#> Occasion a_est d_est d_lci d_uci
#> 1 T1 0.6133765 332.44652 329.70848 335.43024
#> 2 T2 0.5879017 355.92454 352.64902 359.30751
#> 3 T3 0.5907495 17.84307 14.57562 21.11586Two things about the displacement panel are worth reading carefully.
First, it is drawn on an unwrapped branch: the profile crosses
the 0/360 boundary between the second and third wave, and rather than
jumping a full turn the panel continues past 360, so values outside [0,
360) are expected there. Second, the occasion order comes from the data
rather than from the plot: for a character occasion column it is
first-appearance order, and for a factor it is the factor’s level order.
Note that factor() sorts its levels alphabetically by
default, which would place T10 before T2 — so
if your occasion column is a factor, set its levels in temporal
order.
The unwrap carries an assumption that no data can check: that the profile rotates less than a half-turn between consecutive occasions. Waves that are far apart in time, or a series with a gap, could rotate further than that and would be drawn as the shorter rotation regardless, so read widely spaced occasions with that in mind.
A time point whose amplitude interval is too close to zero for its
displacement to be interpretable is drawn as a hollow point — a marker
of an interpretability precondition, not a significance test.
drop_xy = TRUE above omits the X-value and Y-value panels,
leaving elevation, amplitude, and displacement.
The bands are the per-occasion confidence intervals, one per time
point. They are not a simultaneous confidence band for the trajectory as
a whole, and overlap (or its absence) between two occasions’ bands is
not a test of change between them; for that, estimate the contrast
directly (see ?ssm_analyze and
ssm_plot_contrast()).
ssm_plot_trajectory() also accepts a trajectory table —
a data frame of a_est/a_lci/a_uci
and d_est/d_lci/d_uci triples at
numeric time points — which is how you plot a model-based
trajectory evaluated from a fitted growth model rather than one
estimated separately at each wave. That workflow is the subject of the
“Growth Models on SSM Parameters” vignette.
The panels above show each parameter against time separately, which
is the right figure for reading a confidence interval but a poor one for
seeing motion: the amplitude and displacement of a single
occasion are split across two panels. geom_ssm_path() draws
the same series as a path on the circular canvas, so a change in
(amplitude, displacement) reads as movement through circumplex
space.
ggcircumplex(octants(), amax = 0.8) +
geom_ssm_point(
data = results_long$results,
mapping = aes(amplitude = a_est, displacement = d_est),
size = 2
) +
# Drawn after the points so the terminal arrowhead is not covered by the
# final occasion's marker, and sized to clear it
geom_ssm_path(
data = results_long$results,
mapping = aes(amplitude = a_est, displacement = d_est),
arrow = arrow(length = unit(0.18, "inches"), type = "closed"),
linewidth = 0.7
)The arrowhead marks the direction of time. Note what the layer does
at the boundary: this profile moves from 330 to 355 to 20 degrees, and
the step from the second to the third wave is drawn as the short 25
degree arc across the 0/360 pole rather than a 335 degree sweep the long
way round. The path is curved because coord_circumplex()
munches each segment along the polar geodesic — the layer supplies the
ordering, not the drawing.
Occasions are connected in the order the rows appear in the data,
exactly as geom_path() does, and mapping group
draws one path per series. When you assemble a data frame by hand, sort
it into time order first — for the reason noted above, sorting occasion
labels as text puts T10 before T2 and silently
reverses time. The wrapper below does that sorting for you.
The same figure is available ready-made from
ssm_plot_circle(), which adds the path to its usual points
and confidence wedges:
An occasion whose displacement is undefined — a flat or zero-amplitude profile — breaks the path rather than being interpolated through, and the segment after the gap is still drawn on the correct branch. A path that skipped such an occasion would draw a movement that never happened.
Not every circumplex figure is circular. The score-by-angle curve
drawn by ssm_plot_curve() is a linear plot whose x-axis
runs through the scale angles. scale_x_circumplex() labels
that axis consistently with the circular canvas: by default with the
angle in degrees, or with custom labels or an instrument’s
abbreviations.
angles <- octants()
curve <- data.frame(
angle = angles,
score = 1 + 0.8 * cos((angles - 135) * pi / 180)
)
ggplot(curve, aes(x = angle, y = score)) +
geom_line() +
geom_point(size = 2) +
scale_x_circumplex(angles, labels = PANO()) +
labs(x = "Scale", y = "Score") +
theme_bw()Passing the same labels (or the same
instrument) to both ggcircumplex() and
scale_x_circumplex() guarantees that a circular figure and
a linear one label their scales identically.
The built-in plotting functions are implemented on exactly these
components: ssm_plot_circle() is
ggcircumplex() plus geom_ssm_arc() and
geom_ssm_point(), and ssm_plot_curve() uses
scale_x_circumplex() for its angle axis. So you can always
start from a built-in plot and add to it, or rebuild it from the pieces
when you need finer control. Whichever route you take, the coordinates
are computed the same way, so the results line up.
Gurtman, M. B. (1992). Construct validity of interpersonal personality measures: The interpersonal circumplex as a nomological net. Journal of Personality and Social Psychology, 63(1), 105–118.
Wright, A. G. C., Pincus, A. L., Conroy, D. E., & Hilsenroth, M. J. (2009). Integrating methods to optimize circumplex description and comparison of groups. Journal of Personality Assessment, 91(4), 311–322.
Zimmermann, J., & Wright, A. G. C. (2017). Beyond description in interpersonal construct validation: Methodological advances in the circumplex Structural Summary Approach. Assessment, 24(1), 3–23.